Marble is the oldest material of many that has been used in construction and architecture for thousands of years. It is difficult to imagine a more majestic stone than marble. It causes goosebumps and a feeling of cold, attractive penetration into the very heart.
Natural stone, which has absorbed the incredible energy of real nature, fills everything around with a sense of luxury and incredible aesthetics. Both in past centuries and in modern times, it is marble that is used to decorate luxurious mansions and stately administrative buildings, and the central streets of large cities are laid out with marble tiles.
Contemporary marble products represent an incredible variety of creative ideas. You can learn more about what modern marble is and what its features are here.
Nevertheless, most of them draw inspiration from the masterpieces of the masters of the majestic past, which not only still captivate our imagination, but also keep many great secrets. Studying the history of great marble works, we are relentlessly pursued by the mysticism and deep hidden meaning that the masters have put into their sculptures.
Even well-studied by scientists and known to almost everyone, marble sculptures have an incredible hidden secret. For example, almost everyone knows the famous work of Michelangelo Buanarotti of the magnificent David, a handsome man who seemed to emerge from a snow-white block of marble and suddenly came to life in front of an amazed audience.
But, even she, studied up and down, has its own interesting details that have been revealed recently. Modern research has established that the ideal David on all sides has a pronounced physiological defect, namely, strabismus.
To accurately confirm this discovery, serious research was carried out using ultra-modern lasers. Moreover, most likely it was not a master's mistake, but a clear calculation of the geometry of perception. Scientists believe that such a focus of the gaze looks perfect from different angles.
From any place, wherever the viewer looked at the statue, it looked majestic and flawless. An interesting fact is also a little-known fact that Michelangelo made this sculpture of their block of marble left after the work of another sculptor - Agostino di Duccio, who failed to make anything out of this material.
Another mystery of this amazing stone is the image of a thin fabric - a veil. The greatest master of this trend is the outstanding Italian sculptor Rafael Monti.
It is to his hands that the sculpture of the priestesses-vestals, unsurpassed in its grace, belongs. The marble veil that covers the heads and shoulders of the young priestesses is so weightless that rays of light pass through. This is a real miracle in stone.
This incredible optical illusion amazes even the most sophisticated art critic. You can look at these young creatures for hours, covered with the thinnest, as if fluttering in the wind, transparent, but at the same time a stone veil. This does not fit in my head.
Such a technique in world art is known in painting. It is called a tromple. But painting, two-dimensional paintings, is still understandable. It's still not a stone. But sculpture, and even hundreds of years ago. Mystery! To create this masterpiece, Monty used a special technique that allows you to create several layers of marble of different density. It was this special technique that made it possible to produce such a stunning effect.
Marble is a fantastic stone material that still carries an incredible potential for miraculous transformations. The stone is the keeper of great secrets, the gradual disclosure of which will delight and delight our perception for many, many years to come.